Nasr missile displayed during Pakistan Day Parade amid debate over Deutsche Welle documentary on Pakistan's nuclear programme
Pakistan's Nasr (Hatf-IX) missile on display during the Pakistan Day Parade.

Deutsche Welle (DW), Germany’s state-funded broadcaster, has telecast a crude and intellectually dishonest documentary raising alarm about Pakistan’s nuclear programme by questioning its legitimacy and safety. Presented as an investigation into Pakistan’s nuclear deterrent, the documentary instead recycles familiar propaganda, attempting once again to link Pakistan’s nuclear programme with religious extremism while relying on selective history, insinuation and sensationalism rather than facts.

The documentary opens with the laughable proposition that Pakistan “illegally developed” the bomb, as if there were a legal pathway to acquiring nuclear weapons—one that Germany’s friends such as India and Israel may have followed. It then goes on to state that Pakistan officially revealed its nuclear capability through the 1998 nuclear tests, while conveniently omitting the fact that those tests were conducted in direct response to India’s nuclear tests. By ignoring that sequence of events, the documentary erases the historical reality that made India the architect of South Asia’s nuclearisation in its apparent quest to demonise Pakistan.

This selective approach is hardly an isolated editorial decision. It reflects what many critics see as Germany’s chronic Islamophobia, animosity towards Pakistan and preferential treatment of India. Rather than examining Pakistan’s nuclear doctrine through strategic realities, legal arguments or regional security dynamics, the documentary falls back on decades-old stereotypes that portray Pakistan’s nuclear capability through the prism of extremism and instability.

Equally striking is the irony surrounding the documentary’s timing. Such low standards of professionalism from Germany’s state-funded international broadcaster come at a time when Germany itself has seen its international standing questioned. In June 2026, Berlin suffered a humiliating defeat in elections for a non-permanent seat on the United Nations Security Council, losing to Austria and Portugal. The setback came barely a year after Chancellor Friedrich Merz’s controversial remarks defending Israeli military action against Iran, when he declared that “Israel is doing our dirty work” and suggested that “rules of international law do not apply to Iran.” Against that backdrop, it is difficult for critics to separate Deutsche Welle’s editorial line from the broader foreign policy outlook of the German establishment. As they ask: what else can be expected from a government that is among the strongest supporters of Israel?

It is therefore unsurprising that the documentary has triggered an unusually strong reaction from Pakistan’s strategic community, with journalists, scholars and security experts reaching remarkably similar conclusions despite approaching the issue from different professional backgrounds.

International relations expert Mushahid Hussain Sayed perhaps summed up the sentiment most directly, describing the 52-minute production as “a crude, intellectually dishonest, hatchet job” that raises alarm about Pakistan’s nuclear programme by questioning its legitimacy and safety while recycling old propaganda linking it to religious extremism.

“As if there’s a legal path to acquiring nuclear weapons, which Germany’s friends like India & Israel may have pursued!”

He also criticised the documentary for claiming that Pakistan officially revealed its nuclear capability through the 1998 nuclear tests without mentioning that those tests were a direct response to India’s nuclear explosions. According to Mushahid Hussain, omitting that crucial context serves only one purpose—to portray Pakistan as the aggressor while ignoring India’s role in the nuclearisation of South Asia.

Senior journalist Syed Talat Hussain was equally scathing, dismissing the documentary as “an absurd fiction” that revives the tired narrative of an “Islamist takeover” to undermine Pakistan’s nuclear programme. According to him, the production relies on information gathered through stealth and deception while recycling old footage to construct what he called “a yawn-inducing drivel.”

“No self-respecting outlet would touch material like this with a barge pole, much less place its logo on such trash.”

Referring to the documentary team’s visit to Pakistan in 2024, he alleged that they entered the country under the guise of professional journalism while pursuing what he described as “a dirty mission.”

“It’s now clear what it was—Pakistan Bashing. DW should be ashamed of itself and should be renamed GW: Gobbles Welle.”

From a strategic perspective, former Director General of the Arms Control and Disarmament Affairs (ACDA), Khalid Banuri, criticised the documentary as “one-sided” and “alarmist,” arguing that it ignores Pakistan’s efforts to maintain strategic stability while presenting a misleading narrative about the country’s nuclear programme. He maintained that Pakistan’s nuclear policy emerged in response to India’s strategic actions and remains consistent with international law, a context he believes is almost entirely absent from the documentary.

The most comprehensive critique, however, came from Professor Rabia Akhtar, Dean of Social Sciences at the University of Lahore, who argued that the documentary’s conclusion had been written before production even began.

“If DW wanted attention, all it had to do was ask. In this pathetic documentary, the conclusion came first. Pakistan was then edited to fit it.”

According to Akhtar, the documentary follows a predictable formula: show a radical cleric, cut to a nuclear facility, add ominous music, mention instability and allow insinuation to replace evidence.

She challenged the documentary’s repeated assertion that Pakistan “illegally developed” nuclear weapons, noting that Pakistan never joined the Nuclear Non-Proliferation Treaty (NPT) and therefore violated no NPT obligations by developing nuclear weapons.

“DW may disapprove of the programme, but moral disapproval is not a legal argument.”

Akhtar also highlighted what she described as the documentary’s glaring double standard.

“India developed nuclear weapons. Pakistan ‘deceived the world.’ India’s programme is treated as a strategic fact. Pakistan’s is narrated as criminal cunning.”

She argued that while the documentary briefly acknowledges the 1971 war, India’s conventional superiority and Pakistan’s security concerns, it refuses to seriously examine how those realities shaped Pakistan’s nuclear doctrine. Instead, it revives familiar speculation that extremists could seize Pakistan’s nuclear arsenal despite presenting no evidence of any breach in Pakistan’s command-and-control system.

Even more revealing, she noted, is that the documentary’s own interviewees acknowledge Pakistan’s centralised command structure, specialised security forces and multiple institutional safeguards protecting its nuclear assets. Yet those facts are overshadowed by dramatic visuals and ominous narration intended to leave viewers with a different impression.

Taken together, these critiques present a common conclusion: the Deutsche Welle documentary is viewed not simply as flawed journalism but as a narrative that substitutes selective history for context, insinuation for evidence and advocacy for objective analysis. Whether that criticism is accepted or rejected, the controversy has once again reignited debate over how Pakistan’s nuclear programme is portrayed in sections of the international media and whether those portrayals illuminate a complex strategic reality or merely reinforce long-standing stereotypes.